It’s hard to evaluate the quality and speed of Lightroom by comparing it to another program. But if the best Lightroom is at about 60MB and the best of Darktable is about 5MB, a comparison based on those metrics should be able to provide an answer to your question. If you find darktable’s speed impressive and your images are taking up little or no disk space, you’ll find your work will be considerably faster. I know many photographers are so used to working with Photoshop that it’s only now being shown the benefits that such a tool provides by comparison to another tool. So, when I say I use both Lightroom and Darktable regularly, I’m not even trying to be coy, just saying as a reference: I do not consider my photos in a way that Photoshop cannot.
The question I am trying to answer is not about the raw file size. You can create the same RAW file that I did, and that’s going to take much less disk space than processing Lightroom and importing the same photos. If I need to produce 20-30 photos, I would rather work with my existing files than to go through all 20 or more photos of someone else’s images which are already in a folder on an external drive. The more I think about this, the more I realize how much a file size difference there is between my existing files and what I am going to see in the Darktable browser.
The real benefit you get is time. When you take your time to look at, review, and organize your photos, your work will be much more manageable. With the Darktable browser, you can work quickly while keeping your workflow fresh by applying your new techniques in a new way.
My workflow is based on two ways of looking at photos. The first is simply to create an index of my images and then look at photos and identify their subjects. In this way, I have a more complete sense of what I am trying to represent than looking through a pile of photos. The second way I work, and it’s a more traditional way to approach photographing, is to use different layers to represent different things. In this way, I can create a different level of visual perspective in each image that I can bring to the photograph. I can add additional depth to a single line of photos, or I can remove one or two characters from a letter or word and add a whole new element to an image.
These techniques have a much more direct and impactful impact on my
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